November 14, 1998

Poets Leaving Academy to Protest Absence of Minorities

 

By DINITIA SMITH

NEW YORK -- Two prominent American poets, both of them women, have resigned as chancellors from the Academy of American Poets, a venerable body at the symbolic center of the American poetry establishment, to protest the absence of blacks and other minority groups on the academy's board of chancellors. The chancellors, Carolyn Kizer and Maxine Kumin, both of whom have lobbied to admit minorities to the board, submitted their resignations to academy president Jonathan Galassi this week.

"There's never been a black woman chancellor," Ms. Kizer, who won a Pulitzer Prize for poetry in 1985, said in a telephone interview. Ms. Kizer said she was also upset by a larger problem, which she defined as "the insularity among the chancellors, and the lack of women."

"I don't like the way the collection of chancellors sets itself apart from the mainstream," Ms. Kumin, who won a Pulitzer in 1974, said in an interview. "I don't want to see it identified with elitism. It's very much an East Coast group."

The academy, which was founded in 1934 by Marie Bullock and is based in Soho, at 584 Broadway, at Prince Street, promotes poetry nationally. Its 12-member board of chancellors exists mainly to administer the Tanning Prize, at $100,000 the country's largest literary award, and a smaller prize, the Academy Fellowship, of $20,000.

The board includes some of the country's best known and most influential poets, including John Ashbery, Richard Howard, John Hollander, Jorie Graham, Donald Justice, J.D. McClatchy, Mark Strand, Mona Van Duyn, David Wagoner and W.S. Merwin. This year the board awarded the Tanning Prize to A.R. Ammons.

"They always go to the same person again and again," said Ms. Kizer, meaning, she said, that the prize is frequently awarded to white male poets.

When the first Tanning Prize was awarded in 1994, Ms. Kizer said she lobbied for it to go to Gwendolyn Brooks, an African-American poet. The chancellors awarded the prize instead to W.S. Merwin, and were criticized because Merwin is a chancellor himself. In 1996, Adrienne Rich won the prize. The other winners have been James Tate and Anthony Hecht.

Since 1946, when the academy began awarding its annual fellowship, the prize has been given to only two African-American poets, Jay Wright and Robert Hayden. Of the 64 Fellowships that have been awarded, 14 have gone to women. There have been 57 chancellors in all. There has never been a black chancellor, but there have been 12 women on the board.

Ms. Kumin said that as vacancies have occurred she has lobbied for the poet Lucille Clifton, who is black, to be elected. "We've just been out voted," she said.

Galassi, president of the academy and editor in chief of Farrar, Straus & Giroux, said of the resignations of Ms. Kumin and Ms. Kizer: "I was very sorry that they are doing this at a time when we are in the process of putting our governing structure through review."

He said that he would not accept the resignations and that he would try to persuade both poets to remain as chancellors to help him instate changes at the academy.

Galassi said the academy was in the process of assembling an ad hoc committee that "will look at the constitution of the chancellors." "The academy has been in the process of broadening for four or five years, and before that," he said. "We started the National Poetry Month. We are starting a Poetry Book Club, an online poetry classroom. They're all outreach programs. They are very inclusive."

"We want to be an organization for everyone," he added.

William Wadsworth, the academy's executive director, added that the lack of women and minority groups on the board "has always been a controversial aspect of the academy."

This year, German writer Fred Viebahn, who is married to Rita Dove, a black poet and former Poet Laureate of the United States, attacked the academy in the International Quarterly for what he said was "unapologetic racial 'purity' and gross gender imbalance."

Viebahn pointed out that the academy had received $250,000 from the Lila Acheson Wallace-Reader's Digest Fund in 1997, and criticized the National Endowment for the Arts for awarding the academy $95,000 this year despite what he called a "tradition of race 'purity' in its highest ranks."

Galassi called the charge "totally unfair."

"If you look at what the academy is doing, and who is working there, I just don't think you can say it's exclusionary," he said. "But even the appearance of being exclusionary is unfortunate and needs to be addressed. And that's what we're in the process of doing."

The academy's board of directors controls the day-to-day running of the institution; the chancellors are mainly responsible for the two prizes. The board has 26 members and only one of them, Jamaica Kincaid, is black. Seven are women. Until 1987, there were no blacks or Jews on the board. That year, when Lyn Chase, an heiress to the Folger coffee fortune, became president of the board, she began recruiting Jews and blacks.

Wadsworth pointed out that the academy's full-time staff of 10 has several minority group members and administers 160 college prizes and awards, worth about $92,000, a number of which go to women and minorities. Among the prizes the academy staff gives are the Walt Whitman Award, which is $5,000 along with book distribution worth $35,000. It administers two other book publication awards, the James Laughlin Award and the Lenore Marshall Prize.

"The chancellors sound like they are the universally recognized spokespersons for the world of poetry," said Ms. Dove, who has served as a judge for the academy's Walt Whitman award and has taken part in many academy functions. "To have an academy where minorities and women are underrepresented or not represented does send a subliminal message to the world that there may not be minorities who are poets or many women who are poets."

Ms. Dove said she had no interest in being a chancellor herself. "The message the makeup of the board is sending is the message that we are the ones who hold the power," said Ms. Dove, "and it's a closed club."